“My only regret is that I didn't drink every pub dry and sleep with every woman on the planet.”“I think that the most important achievement of my career was getting paid for something that I really wanted to do.”Robert Oliver Reed (13 Feb 1937 – 2 May 1999) was an English film actor known for his burly screen presence. Reed exemplified his real-life macho image in “tough-guy” roles. playground
Reed was born in Wimbledon, London to sports journalist Peter Reed and his wife Marcia (nee Andrews). He was the nephew of Film Director Sir Carol Reed and grandson of the actor-manager Sir Herbert Beerbohm Tree by his alleged mistress May Pinney Reed. He attended Ewell Castle School in Surrey. He is alleged to be a descendant (through an illegitimate step) of Tsar Peter the Great of Russia. Price attended St. Louis Country Day School. He was further educated at Yale in art history and fine art. He was a member of Alpha Sigma Phi Fraternity and the Courtauld Institute, London. He became interested in theater in the 1930s, appearing professionally on stage from 1935. After time in the British Army, serving in the Royal Army Medical Corps, Reed commenced his thespian career as an extra in films in the late 1950s. He had no acting training or theatrical experience. Oliver Reed appeared uncredited in an early Norman Wisdom classic, The Square Peg in 1958, and again with Norman Wisdom in another of his classic comedy films, The Bulldog Breed in (1960), where Reed played the leader of a gang of teddy boys roughing up Norman in a cinema. Reed got his first notable roles in Hammer Films' Sword of Sherwood Forest (1960), The Two Faces of Dr. Jekyll (1960), Captain Clegg (1962), Pirates of Blood River (1962), and The Curse of the Werewolf (1961). Reed also starred in Paranoiac, and These Are the Damned. In 1964 he starred in the first of six films directed by Michael Winner, The System, (known as The Girl-Getters in the U.S.). More Hammer Films productions followed, such as The Brigand Of Kandahar (1965). Reed's presence could be seen in The Shuttered Room (1969), after which came another performance in the film Women in Love (1969), in which he wrestled nude with Alan Bates in front of a log fire. The controversial 1971 film The Devils was one of Reed's best acting roles, followed in the summer of 1975 by the musical film Tommy, based on The Who's 1969 concept album Tommy and starring its lead singer Roger Daltrey. Reed made another contribution to the horror genre in 1976, acting alongside Karen Black, Bette Davis, and Burgess Meredith in the Dan Curtis film Burnt Offerings. In between those films for Russell, Reed played the role of Bill Sikes, alongside Ron Moody, Shani Wallis, Mark Lester, Jack Wild, Harry Secombe, in his uncle Carol Reed's 1968 screen version of the hit musical Oliver!. In 1969 Reed played the title role in Michael Winner's WWII action-comedy Hannibal Brooks, alongside an elephant named Lucy. An anecdote holds that Reed could have been chosen to play James Bond. In 1969, Bond franchise producers Albert R. Broccoli and Harry Saltzman were looking for a replacement for Sean Connery, and Reed (who had recently played a resourceful killer in The Assassination Bureau) was mentioned as a possible choice for the role. Whatever the reason, Reed was never to play Bond. After Reed's death, the Guardian Unlimited called the casting decision, “One of the great missed opportunities of post-war British movie history”. Reed starred as Athos the musketeer in three films based on Alexandre Dumas's novels. First in The Three Musketeers (1973), followed by The Four Musketeers (1974), and The Return of the Musketeers (1989). He starred in a similarly historical themed film, Crossed Swords (1978), as Miles Hendon alongside Raquel Welch and a grown up Mark Lester who had worked with Reed in Oliver!. Reed returned to horror as Dr. Hal Raglan in David Cronenberg's 1979 film The Brood. From the 1980s onwards Reed's films had less success, his more notable roles being General Rodolfo Graziani in the 1981 film Lion of the Desert, which co-starred Anthony Quinn and chronicled the resistance to Italy's occupation of Libya; and in Castaway (1986) as the middle aged Gerald Kingsland, who advertises for a 'wife' to live on a desert island for a year. The 'wife' is played by Amanda Donohoe. By the late 1980s, he was largely appearing in exploitation films produced by the infamous impresario Harry Alan Towers, most of which were filmed in South Africa at the time of apartheid, and released straight to video in the US and UK. These included Skeleton Coast (1987), Dragonard (1987) and its filmed-back-to-back sequel Master Of Dragonard Hill, Hold My Hand I'm Dying (1988), House Of Usher (1988), Captive Rage (1988), Gor (1988) and The Revenger (1989). His last major successes were Terry Gilliam's The Adventures of Baron Munchausen (1988) (as the god Vulcan), Treasure Island (1990) (as Captain Billy Bones), and Peter Chelsom's Funny Bones (1995). His final role was the elderly slave dealer Proximo in Gladiator, in which he played alongside Richard Harris, an actor whom Reed admired greatly both on and off the screen. The film was released after his death in 2000 with some footage filmed with a double, digitally mixed with outtake footage. He was posthumously nominated for a British Academy Award for Best Supporting Actor for his performance in this film, and also for the Screen Actors Guild Award along with the rest of the principal players for Best Ensemble Cast. He died of a heart attack in a bar after downing three bottles of Captain Morgan's Jamaica rum, eight bottles of German beer, numerous doubles of Famous Grouse whiskey, and beating five much younger Royal Navy sailors at arm-wrestling. His bar bill for that final lunch time totaled 270 Maltese lira, almost £450. wikipedia So it should be that Ollie Reed [Mr.England] should die as he lived, carousing in a bar, drunk as a Lord and ready to take on all-comers, but he was a fine actor who could turn his not inconsiderable screen presence to comedy, drama & horror. He understood what movies were about, enjoyment, thrills and wonderment. One of the last of the true Brit Hell Raisers, a wasted talent, perhaps but anyone who refers to Jack Nicholson as “a balding little twat” is OK by me. Maintained by bb15
“My only regret is that I didn't drink every pub dry and sleep with every woman on the planet.”“I think that the most important achievement of my career was getting paid for something that I really wanted to do.”Robert Oliver Reed (13 Feb 1937 – 2 May 1999) was an English film actor known for his burly screen presence. Reed exemplified his real-life macho image in “tough-guy” roles.playground
Reed was born in Wimbledon, London to sports journalist Peter Reed and his wife Marcia (nee Andrews). He was the nephew of Film Director Sir Carol Reed and grandson of the actor-manager Sir Herbert Beerbohm Tree by his alleged mistress May Pinney Reed. He attended Ewell Castle School in Surrey. He is alleged to be a descendant (through an illegitimate step) of Tsar Peter the Great of Russia. After time in the British Army, serving in the Royal Army Medical Corps, Reed commenced his thespian career as an extra in films in the late 1950s. He had no acting training or theatrical experience.
Oliver Reed appeared uncredited in an early Norman Wisdom classic, The Square Peg in 1958, and again with Norman Wisdom in another of his classic comedy films, The Bulldog Breed in (1960), where Reed played the leader of a gang of teddy boys roughing up Norman in a cinema. Reed got his first notable roles in Hammer Films' Sword of Sherwood Forest (1960), The Two Faces of Dr. Jekyll (1960), Captain Clegg (1962), Pirates of Blood River (1962), and The Curse of the Werewolf (1961). Reed also starred in Paranoiac, and These Are the Damned. In 1964 he starred in the first of six films directed by Michael Winner, The System, (known as The Girl-Getters in the U.S.). More Hammer Films productions followed, such as The Brigand Of Kandahar (1965). Reed's presence could be seen in The Shuttered Room (1969), after which came another performance in the film Women in Love (1969), in which he wrestled nude with Alan Bates in front of a log fire. The controversial 1971 film The Devils was one of Reed's best acting roles, followed in the summer of 1975 by the musical film Tommy, based on The Who's 1969 concept album Tommy and starring its lead singer Roger Daltrey. Reed made another contribution to the horror genre in 1976, acting alongside Karen Black, Bette Davis, and Burgess Meredith in the Dan Curtis film Burnt Offerings. In between those films for Russell, Reed played the role of Bill Sikes, alongside Ron Moody, Shani Wallis, Mark Lester, Jack Wild, Harry Secombe, in his uncle Carol Reed's 1968 screen version of the hit musical Oliver!. In 1969 Reed played the title role in Michael Winner's WWII action-comedy Hannibal Brooks, alongside an elephant named Lucy.
An anecdote holds that Reed could have been chosen to play James Bond. In 1969, Bond franchise producers Albert R. Broccoli and Harry Saltzman were looking for a replacement for Sean Connery, and Reed (who had recently played a resourceful killer in The Assassination Bureau) was mentioned as a possible choice for the role. Whatever the reason, Reed was never to play Bond. After Reed's death, the Guardian Unlimited called the casting decision, “One of the great missed opportunities of post-war British movie history”. Reed starred as Athos the musketeer in three films based on Alexandre Dumas's novels. First in The Three Musketeers (1973), followed by The Four Musketeers (1974), and The Return of the Musketeers (1989). He starred in a similarly historical themed film, Crossed Swords (1978), as Miles Hendon alongside Raquel Welch and a grown up Mark Lester who had worked with Reed in Oliver!. Reed returned to horror as Dr. Hal Raglan in David Cronenberg's 1979 film The Brood.
From the 1980s onwards Reed's films had less success, his more notable roles being General Rodolfo Graziani in the 1981 film Lion of the Desert, which co-starred Anthony Quinn and chronicled the resistance to Italy's occupation of Libya; and in Castaway (1986) as the middle aged Gerald Kingsland, who advertises for a 'wife' to live on a desert island for a year. The 'wife' is played by Amanda Donohoe. By the late 1980s, he was largely appearing in exploitation films produced by the infamous impresario Harry Alan Towers, most of which were filmed in South Africa at the time of apartheid, and released straight to video in the US and UK. These included Skeleton Coast (1987), Dragonard (1987) and its filmed-back-to-back sequel Master Of Dragonard Hill, Hold My Hand I'm Dying (1988), House Of Usher (1988), Captive Rage (1988), Gor (1988) and The Revenger (1989).
His last major successes were Terry Gilliam's The Adventures of Baron Munchausen (1988) (as the god Vulcan), Treasure Island (1990) (as Captain Billy Bones), and Peter Chelsom's Funny Bones (1995). His final role was the elderly slave dealer Proximo in Gladiator, in which he played alongside Richard Harris, an actor whom Reed admired greatly both on and off the screen. The film was released after his death in 2000 with some footage filmed with a double, digitally mixed with outtake footage. He was posthumously nominated for a British Academy Award for Best Supporting Actor for his performance in this film, and also for the Screen Actors Guild Award along with the rest of the principal players for Best Ensemble Cast.
He died of a heart attack in a bar after downing three bottles of Captain Morgan's Jamaica rum, eight bottles of German beer, numerous doubles of Famous Grouse whiskey, and beating five much younger Royal Navy sailors at arm-wrestling. His bar bill for that final lunch time totaled 270 Maltese lira, almost £450. wikipedia So it should be that Ollie Reed [Mr.England] should die as he lived, carousing in a bar, drunk as a Lord and ready to take on all-comers, but he was a fine actor who could turn his not inconsiderable screen presence to comedy, drama & horror. He understood what movies were about, enjoyment, thrills and wonderment. One of the last of the true Brit Hell Raisers, a wasted talent, perhaps but anyone who refers to Jack Nicholson as “a balding little twat” is OK by me.// Maintained by bb15
By Foreign Language I mean NOT ENGLISH in this instance. Some of these films are available with English subtitles, and some are not. There was very little information on some of these releases, so if one happens to have been dubbed into English, I will double the reward for the English version. I know for a fact all these movies have been released in Anaglyph and are available.
I have no idea why I am even entering this comp. I have never in my life wrote any type of review before and have no idea how they should look, but here goes nothing I have chosen one of mine, (surprise surprise) It was my competion entry which to date pulled in a staggering 24 snatches. I think it should be seen by more. [user=1291] is still seeding it.
Won Ton Ton: The Dog Who Saved Hollywood
Won Ton Ton, the dog that finished off careers.
First came The Nightcomers, than landed Chato's Land . The Mechanic made good, Scorpio had a sting, The Stone Killer delivered and we all wished death on the scum in Deathwish, so what in God's name was Micheal Winner thinking when he made Won Ton Ton: The Dog Who Saved Hollywoodstraight after Deathwish? It's ironic the Tagline was Introducing The Dog Who Launched 1000 Stars. 12 of the stars never worked on another movie again!
The reason I bought this DVD was for the 'Star Spotting' and I was not dissapointed, virtually every major Hollywood Star or yester-year was inserted into every cliché ridden scene. You have to know your stars to spot most of them, simply because the last time you saw them they would have been 20 or 30 years younger and some of them actually shocked me at what they looked like now. Hell, they do age just like us mere mortals. There are too many to name here and trying to single on out would be difficult, but not impossible, Johnny (Tarzan) Weissmuller as the stage hand, keep you eye out for him in his cringeworthy role. There a a lot of blink-and-you-miss-em cameos, I missed loads and rewound several times to see if I missed any. The likes of [user=91737], [user=61041] and [user=71819] should have fun spotting loads of Pre Code stars, albeit not looking like a million dollars as they are used to. The same goes for [user=48897], [user=91093] and [user=128855] who may spot many a weathered beaten western face. There's even a wet t-shirt scene that [user=72753] would thank me for.
The movie is set in the 'Roaring 20's' Hollywood, where our heroine Estie (Madeline Kahn) arrives to become an actress, but unwittingly a dog (Won Ton Ton) that follows her about, becomes the star. What followed should have been a hoot, along the same lines of It's A Mad Mad Mad World but failed misserably. Don't get me wrong, there are some unexpected diamonds amongst this cluster of plasticness. Ron Leibman as Rudy Montague steels every scene he's in, and Madaline Kahn does her utmost to try and out-act the dog, never has there been such a such a performance until Jim Belushi came along in K9.
The 20's Hollywood set pieces are quite impressive, along with some familiar musice, the one that springs to mind is the love theme from The Godfather by Nino Rota which most of you will recognise. Overall all the principal actors like Dern, Carney, Kahn and Silver could not save the day, never mind Hollywood
Good points The stars, set pieces, music
Bad points Winners direction, plot, principle actors (not including Kahn) very wooden. Not enogh screen time for Won Ton Ton the hero. No Bronson!
And to sum up, not a terrible film, definatley not a great film, but bad enough to be resting on one of the dusty Cinemaggedon Video store shelves.
My rating 3 stars out of 5 for the movie. 5 stars out of 5 for the stars.
Where was Bronson!!
[torrent=60757]
radio, 2010/04/14 08:57:
1972
Spirits Of Death
aka Un Bianco Vestito Per Mariale
aka A White Dress for Mariale
Discussion
[IMG]http://img246.imageshack.us/img246/8956/vlcsnap668913.png[/IMG] [IMG]http://img29.imageshack.us/img29/3466/vlcsnap675984.png[/IMG] [IMG]http://img32.imageshack.us/img32/6929/vlcsnap677442.png[/IMG] [IMG]http://img23.imageshack.us/img23/5995/vlcsnap669599.png[/IMG] [IMG]http://img192.imageshack.us/img192/4899/vlcsnap679255.png[/IMG] [IMG]http://img188.imageshack.us/img188/7515/vlcsnap676431.png[/IMG] [IMG]http://img189.imageshack.us/img189/5016/vlcsnap704474.png[/IMG]
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…
the first step of many
Text with 1) footnote!
2)
http://cinemageddon.org/details.php?id=54857
nope
Oliver Reed Filmography
playground
Bio
“My only regret is that I didn't drink every pub dry and sleep with every woman on the planet.” “I think that the most important achievement of my career was getting paid for something that I really wanted to do.” Robert Oliver Reed (13 Feb 1937 – 2 May 1999) was an English film actor known for his burly screen presence. Reed exemplified his real-life macho image in “tough-guy” roles. playground
Reed was born in Wimbledon, London to sports journalist Peter Reed and his wife Marcia (nee Andrews). He was the nephew of Film Director Sir Carol Reed and grandson of the actor-manager Sir Herbert Beerbohm Tree by his alleged mistress May Pinney Reed. He attended Ewell Castle School in Surrey. He is alleged to be a descendant (through an illegitimate step) of Tsar Peter the Great of Russia. Price attended St. Louis Country Day School. He was further educated at Yale in art history and fine art. He was a member of Alpha Sigma Phi Fraternity and the Courtauld Institute, London. He became interested in theater in the 1930s, appearing professionally on stage from 1935. After time in the British Army, serving in the Royal Army Medical Corps, Reed commenced his thespian career as an extra in films in the late 1950s. He had no acting training or theatrical experience. Oliver Reed appeared uncredited in an early Norman Wisdom classic, The Square Peg in 1958, and again with Norman Wisdom in another of his classic comedy films, The Bulldog Breed in (1960), where Reed played the leader of a gang of teddy boys roughing up Norman in a cinema. Reed got his first notable roles in Hammer Films' Sword of Sherwood Forest (1960), The Two Faces of Dr. Jekyll (1960), Captain Clegg (1962), Pirates of Blood River (1962), and The Curse of the Werewolf (1961). Reed also starred in Paranoiac, and These Are the Damned. In 1964 he starred in the first of six films directed by Michael Winner, The System, (known as The Girl-Getters in the U.S.). More Hammer Films productions followed, such as The Brigand Of Kandahar (1965). Reed's presence could be seen in The Shuttered Room (1969), after which came another performance in the film Women in Love (1969), in which he wrestled nude with Alan Bates in front of a log fire. The controversial 1971 film The Devils was one of Reed's best acting roles, followed in the summer of 1975 by the musical film Tommy, based on The Who's 1969 concept album Tommy and starring its lead singer Roger Daltrey. Reed made another contribution to the horror genre in 1976, acting alongside Karen Black, Bette Davis, and Burgess Meredith in the Dan Curtis film Burnt Offerings. In between those films for Russell, Reed played the role of Bill Sikes, alongside Ron Moody, Shani Wallis, Mark Lester, Jack Wild, Harry Secombe, in his uncle Carol Reed's 1968 screen version of the hit musical Oliver!. In 1969 Reed played the title role in Michael Winner's WWII action-comedy Hannibal Brooks, alongside an elephant named Lucy. An anecdote holds that Reed could have been chosen to play James Bond. In 1969, Bond franchise producers Albert R. Broccoli and Harry Saltzman were looking for a replacement for Sean Connery, and Reed (who had recently played a resourceful killer in The Assassination Bureau) was mentioned as a possible choice for the role. Whatever the reason, Reed was never to play Bond. After Reed's death, the Guardian Unlimited called the casting decision, “One of the great missed opportunities of post-war British movie history”. Reed starred as Athos the musketeer in three films based on Alexandre Dumas's novels. First in The Three Musketeers (1973), followed by The Four Musketeers (1974), and The Return of the Musketeers (1989). He starred in a similarly historical themed film, Crossed Swords (1978), as Miles Hendon alongside Raquel Welch and a grown up Mark Lester who had worked with Reed in Oliver!. Reed returned to horror as Dr. Hal Raglan in David Cronenberg's 1979 film The Brood. From the 1980s onwards Reed's films had less success, his more notable roles being General Rodolfo Graziani in the 1981 film Lion of the Desert, which co-starred Anthony Quinn and chronicled the resistance to Italy's occupation of Libya; and in Castaway (1986) as the middle aged Gerald Kingsland, who advertises for a 'wife' to live on a desert island for a year. The 'wife' is played by Amanda Donohoe. By the late 1980s, he was largely appearing in exploitation films produced by the infamous impresario Harry Alan Towers, most of which were filmed in South Africa at the time of apartheid, and released straight to video in the US and UK. These included Skeleton Coast (1987), Dragonard (1987) and its filmed-back-to-back sequel Master Of Dragonard Hill, Hold My Hand I'm Dying (1988), House Of Usher (1988), Captive Rage (1988), Gor (1988) and The Revenger (1989). His last major successes were Terry Gilliam's The Adventures of Baron Munchausen (1988) (as the god Vulcan), Treasure Island (1990) (as Captain Billy Bones), and Peter Chelsom's Funny Bones (1995). His final role was the elderly slave dealer Proximo in Gladiator, in which he played alongside Richard Harris, an actor whom Reed admired greatly both on and off the screen. The film was released after his death in 2000 with some footage filmed with a double, digitally mixed with outtake footage. He was posthumously nominated for a British Academy Award for Best Supporting Actor for his performance in this film, and also for the Screen Actors Guild Award along with the rest of the principal players for Best Ensemble Cast. He died of a heart attack in a bar after downing three bottles of Captain Morgan's Jamaica rum, eight bottles of German beer, numerous doubles of Famous Grouse whiskey, and beating five much younger Royal Navy sailors at arm-wrestling. His bar bill for that final lunch time totaled 270 Maltese lira, almost £450. wikipedia So it should be that Ollie Reed [Mr.England] should die as he lived, carousing in a bar, drunk as a Lord and ready to take on all-comers, but he was a fine actor who could turn his not inconsiderable screen presence to comedy, drama & horror. He understood what movies were about, enjoyment, thrills and wonderment. One of the last of the true Brit Hell Raisers, a wasted talent, perhaps but anyone who refers to Jack Nicholson as “a balding little twat” is OK by me. Maintained by bb15
1950
1950
The Films
The Films
The Films
The Films
Oliver Reed Filmography
playground
Bio
“My only regret is that I didn't drink every pub dry and sleep with every woman on the planet.” “I think that the most important achievement of my career was getting paid for something that I really wanted to do.” Robert Oliver Reed (13 Feb 1937 – 2 May 1999) was an English film actor known for his burly screen presence. Reed exemplified his real-life macho image in “tough-guy” roles. playground Reed was born in Wimbledon, London to sports journalist Peter Reed and his wife Marcia (nee Andrews). He was the nephew of Film Director Sir Carol Reed and grandson of the actor-manager Sir Herbert Beerbohm Tree by his alleged mistress May Pinney Reed. He attended Ewell Castle School in Surrey. He is alleged to be a descendant (through an illegitimate step) of Tsar Peter the Great of Russia. After time in the British Army, serving in the Royal Army Medical Corps, Reed commenced his thespian career as an extra in films in the late 1950s. He had no acting training or theatrical experience. Oliver Reed appeared uncredited in an early Norman Wisdom classic, The Square Peg in 1958, and again with Norman Wisdom in another of his classic comedy films, The Bulldog Breed in (1960), where Reed played the leader of a gang of teddy boys roughing up Norman in a cinema. Reed got his first notable roles in Hammer Films' Sword of Sherwood Forest (1960), The Two Faces of Dr. Jekyll (1960), Captain Clegg (1962), Pirates of Blood River (1962), and The Curse of the Werewolf (1961). Reed also starred in Paranoiac, and These Are the Damned. In 1964 he starred in the first of six films directed by Michael Winner, The System, (known as The Girl-Getters in the U.S.). More Hammer Films productions followed, such as The Brigand Of Kandahar (1965). Reed's presence could be seen in The Shuttered Room (1969), after which came another performance in the film Women in Love (1969), in which he wrestled nude with Alan Bates in front of a log fire. The controversial 1971 film The Devils was one of Reed's best acting roles, followed in the summer of 1975 by the musical film Tommy, based on The Who's 1969 concept album Tommy and starring its lead singer Roger Daltrey. Reed made another contribution to the horror genre in 1976, acting alongside Karen Black, Bette Davis, and Burgess Meredith in the Dan Curtis film Burnt Offerings. In between those films for Russell, Reed played the role of Bill Sikes, alongside Ron Moody, Shani Wallis, Mark Lester, Jack Wild, Harry Secombe, in his uncle Carol Reed's 1968 screen version of the hit musical Oliver!. In 1969 Reed played the title role in Michael Winner's WWII action-comedy Hannibal Brooks, alongside an elephant named Lucy. An anecdote holds that Reed could have been chosen to play James Bond. In 1969, Bond franchise producers Albert R. Broccoli and Harry Saltzman were looking for a replacement for Sean Connery, and Reed (who had recently played a resourceful killer in The Assassination Bureau) was mentioned as a possible choice for the role. Whatever the reason, Reed was never to play Bond. After Reed's death, the Guardian Unlimited called the casting decision, “One of the great missed opportunities of post-war British movie history”. Reed starred as Athos the musketeer in three films based on Alexandre Dumas's novels. First in The Three Musketeers (1973), followed by The Four Musketeers (1974), and The Return of the Musketeers (1989). He starred in a similarly historical themed film, Crossed Swords (1978), as Miles Hendon alongside Raquel Welch and a grown up Mark Lester who had worked with Reed in Oliver!. Reed returned to horror as Dr. Hal Raglan in David Cronenberg's 1979 film The Brood. From the 1980s onwards Reed's films had less success, his more notable roles being General Rodolfo Graziani in the 1981 film Lion of the Desert, which co-starred Anthony Quinn and chronicled the resistance to Italy's occupation of Libya; and in Castaway (1986) as the middle aged Gerald Kingsland, who advertises for a 'wife' to live on a desert island for a year. The 'wife' is played by Amanda Donohoe. By the late 1980s, he was largely appearing in exploitation films produced by the infamous impresario Harry Alan Towers, most of which were filmed in South Africa at the time of apartheid, and released straight to video in the US and UK. These included Skeleton Coast (1987), Dragonard (1987) and its filmed-back-to-back sequel Master Of Dragonard Hill, Hold My Hand I'm Dying (1988), House Of Usher (1988), Captive Rage (1988), Gor (1988) and The Revenger (1989). His last major successes were Terry Gilliam's The Adventures of Baron Munchausen (1988) (as the god Vulcan), Treasure Island (1990) (as Captain Billy Bones), and Peter Chelsom's Funny Bones (1995). His final role was the elderly slave dealer Proximo in Gladiator, in which he played alongside Richard Harris, an actor whom Reed admired greatly both on and off the screen. The film was released after his death in 2000 with some footage filmed with a double, digitally mixed with outtake footage. He was posthumously nominated for a British Academy Award for Best Supporting Actor for his performance in this film, and also for the Screen Actors Guild Award along with the rest of the principal players for Best Ensemble Cast. He died of a heart attack in a bar after downing three bottles of Captain Morgan's Jamaica rum, eight bottles of German beer, numerous doubles of Famous Grouse whiskey, and beating five much younger Royal Navy sailors at arm-wrestling. His bar bill for that final lunch time totaled 270 Maltese lira, almost £450. wikipedia So it should be that Ollie Reed [Mr.England] should die as he lived, carousing in a bar, drunk as a Lord and ready to take on all-comers, but he was a fine actor who could turn his not inconsiderable screen presence to comedy, drama & horror. He understood what movies were about, enjoyment, thrills and wonderment. One of the last of the true Brit Hell Raisers, a wasted talent, perhaps but anyone who refers to Jack Nicholson as “a balding little twat” is OK by me.// Maintained by bb15
|1973 | Mordi e fuggi aka Dirty Weekend | | |
http://http://www.movieposter.com/posters/archive/main/3/b70-1505
b70-1505
Harenchi Gakuen
Kekko Kamen
Horror Films
Others
Foreign Language
By Foreign Language I mean NOT ENGLISH in this instance. Some of these films are available with English subtitles, and some are not. There was very little information on some of these releases, so if one happens to have been dubbed into English, I will double the reward for the English version. I know for a fact all these movies have been released in Anaglyph and are available.
I have no idea why I am even entering this comp. I have never in my life wrote any type of review before and have no idea how they should look, but here goes nothing I have chosen one of mine, (surprise surprise) It was my competion entry which to date pulled in a staggering 24 snatches. I think it should be seen by more. [user=1291] is still seeding it.
Won Ton Ton: The Dog Who Saved Hollywood
Won Ton Ton, the dog that finished off careers.
First came The Nightcomers, than landed Chato's Land . The Mechanic made good, Scorpio had a sting, The Stone Killer delivered and we all wished death on the scum in Deathwish, so what in God's name was Micheal Winner thinking when he made Won Ton Ton: The Dog Who Saved Hollywoodstraight after Deathwish? It's ironic the Tagline was Introducing The Dog Who Launched 1000 Stars. 12 of the stars never worked on another movie again!
The reason I bought this DVD was for the 'Star Spotting' and I was not dissapointed, virtually every major Hollywood Star or yester-year was inserted into every cliché ridden scene. You have to know your stars to spot most of them, simply because the last time you saw them they would have been 20 or 30 years younger and some of them actually shocked me at what they looked like now. Hell, they do age just like us mere mortals. There are too many to name here and trying to single on out would be difficult, but not impossible, Johnny (Tarzan) Weissmuller as the stage hand, keep you eye out for him in his cringeworthy role. There a a lot of blink-and-you-miss-em cameos, I missed loads and rewound several times to see if I missed any. The likes of [user=91737], [user=61041] and [user=71819] should have fun spotting loads of Pre Code stars, albeit not looking like a million dollars as they are used to. The same goes for [user=48897], [user=91093] and [user=128855] who may spot many a weathered beaten western face. There's even a wet t-shirt scene that [user=72753] would thank me for.
The movie is set in the 'Roaring 20's' Hollywood, where our heroine Estie (Madeline Kahn) arrives to become an actress, but unwittingly a dog (Won Ton Ton) that follows her about, becomes the star. What followed should have been a hoot, along the same lines of It's A Mad Mad Mad World but failed misserably. Don't get me wrong, there are some unexpected diamonds amongst this cluster of plasticness. Ron Leibman as Rudy Montague steels every scene he's in, and Madaline Kahn does her utmost to try and out-act the dog, never has there been such a such a performance until Jim Belushi came along in K9.
The 20's Hollywood set pieces are quite impressive, along with some familiar musice, the one that springs to mind is the love theme from The Godfather by Nino Rota which most of you will recognise. Overall all the principal actors like Dern, Carney, Kahn and Silver could not save the day, never mind Hollywood
Good points The stars, set pieces, music
Bad points Winners direction, plot, principle actors (not including Kahn) very wooden. Not enogh screen time for Won Ton Ton the hero. No Bronson!
And to sum up, not a terrible film, definatley not a great film, but bad enough to be resting on one of the dusty Cinemaggedon Video store shelves.
My rating 3 stars out of 5 for the movie. 5 stars out of 5 for the stars.
Where was Bronson!!
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aka Un Bianco Vestito Per Mariale
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Wong ga fei fung | 1989 | Angel Enforcers | Download |
Wong ga fei fung | 1989 | Angel Enforcers | Download |
Wong ga fei fung | 1989 | Angel Enforcers | Download |
Wong ga fei fung | 1989 | Angel Enforcers | Download |
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[img]http://i34.tinypic.com/xc7xtx.png[/img]